![]() ![]() "Making Sense Of Type Classification (Part 2)." Smashing Magazine. The Humanist sans group includes classics such as Gill Sans and Frutiger as well as more recent releases like Myriad (1991), Trebuchet (1996) and Calibri (2005). Hermann Zapf’s Optima is one example that clearly shows the calligraphic heritage, with an unusually obvious difference between thick and thin strokes, while many others in this category have more subtle features. All of these characteristics combine to make most Humanists a more legible choice than other types of sans faces. Because of this design process involving older letterforms, the lowercase “a” and “g” are most often two-story in Humanist sans serifs. This means a much higher stroke contrast, and some Humanist sans even feature some stress, whereas nearly all other sans serifs have a completely vertical axis.Īnother interesting characteristic of Humanist sans serifs is that their proportions often derive largely from Roman inscriptions and early serif typefaces, rather than 19th-century sans serifs as the Neo-Grotesques did. Humanist 531, humanist sans serif typeface with an optically even thickness of the line which interprets a humanist old style type of the Renaissance. We’ve referenced the Union flag and Scotch whiskey, classic serifs and ever-popular sans serifs.į37 Britain humanist Hairline A collection of seven colourful, characterful fonts that take their cue from a miscellany of Britishness.į37 Britain humanist Light A collection of seven colourful, characterful fonts that take their cue from a miscellany of Britishness.į37 Britain humanist Regular A collection of seven colourful, characterful fonts that take their cue from a miscellany of Britishness.į37 Britain humanist Bold A collection of seven colourful, characterful fonts that take their cue from a miscellany of Britishness.If you remember the most important quality of Humanist serif type, you’ll be relieved to learn that the same quality carries over to the sans serifs! The primary characteristic of Humanist type, both serif and sans serif, is a strong calligraphic influence, basing its shapes and flow on forms that could originate from a pen or brush. ![]() We’ve paid homage to John Baskerville, the father of transitional typography and Edward Johnston, the man who took letterforms Underground. ![]() We’ve taken our inspiration from all nooks, corner and crannies of the land - from Victorian theatre posters and antique maps, to wood-type specimens and Leicestershire typewriter impressions. This was the idea behind the F37 British Collection, a collection of seven disparate but perfectly patriotic fonts. We take them for granted, they’re just part of the national socio-cultural landscape. Many of these are so commonplace they go virtually unnoticed - they’re around us on the streets, our homes, objects that we pick up and use every day. Spring Melody has elegant curves, beautiful kerning, and sharp edges. Humanist sans-serif typefaces are characterized by the presence of the hand, an uppercase similar in proportion to the monumental Roman capitals, a lowercase. Because the nation’s peculiar visual vernacular comprises thousands of small quirks and nuances. Spring Melody is an elegant humanist typeface. Antique Olive a humanist sans-serif typeface (antique being equivalent to sans-serif in French typographic conventions) designed in the early 1960s by. ![]() That’s pretty hard to put your finger on. A collection of seven colourful, characterful fonts that take their cue from a miscellany of Britishness. ![]()
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